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madame de pompadour Måleriet identifieringen:: 56502
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madame de pompadour mk248 genom boucber sag madame de pompadour ett satt att framstalla sig sjalv som de franska konstens beskyddarinna. han var inrt sarskilt fortjust i att mala portratt ocb i brev erlande bon att de inte var sarskilt valliknande, men det brydde bon sig inte om sa lanhe de formedlade ratt sorts bild av benne, har framstalls bon som en litterart bildad kvinna. den utsokta atergivningen av bennes klanning paminner oss om att boucber. vars far var forlagetecknare till gobenger redan i unga ar maste maste ba kommit i kontakt med elegant tyger. mk248_genom_boucber_sag_madame_de_pompadour_ett_satt_att_framstalla_sig_sjalv_som_de_franska_konstens_beskyddarinna._han_var_inrt_sarskilt_fortjust_i_att_mala_portratt_ocb_i_brev_erlande_bon_att_de_inte_var_sarskilt_valliknande,_men_det_brydde_bon_sig_inte_om_sa_lanhe_de_formedlade_ratt_sorts_bild_av_benne,_har_framstalls_bon_som_en_litterart_bildad_kvinna._den_utsokta_atergivningen_av_bennes_klanning_paminner_oss_om_att_boucber._vars_far_var_forlagetecknare_till_gobenger_redan_i_unga_ar_maste_maste_ba_kommit_i_kontakt_med_elegant_tyger.
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Jupiter captured Måleriet identifieringen:: 56892
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Jupiter captured mk250 Year in 1754. Oil painting on cloth, about 168 x 86 cm. London, Wallace Collection. mk250_Year_in_1754._Oil_painting_on_cloth,_about_168_x_86_cm._London,_Wallace_Collection.
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Adoration of the Shepherds Måleriet identifieringen:: 62417
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Adoration of the Shepherds 1750 Oil on canvas Mus?e des Beaux-Arts, Lyon Boucher had never been a committed artistic believer. Although he had worked in Italy, the Italian tradition did not tempt him into vast imaginative schemes. He never aimed at a heroic vision. He expressed no glorious promises about heaven: either as an Olympian refuge for aristocratic families, or in ordinary Christian terms. Like most French eighteenth-century painters, he could not evolve a satisfactory idiom for religious pictures of any kind; and he was particularly unsuited to the task by the nature of his real abilities. The picture shows one of his rare paintings of religious subject 1750_Oil_on_canvas_Mus?e_des_Beaux-Arts,_Lyon_Boucher_had_never_been_a_committed_artistic_believer._Although_he_had_worked_in_Italy,_the_Italian_tradition_did_not_tempt_him_into_vast_imaginative_schemes._He_never_aimed_at_a_heroic_vision._He_expressed_no_glorious_promises_about_heaven:_either_as_an_Olympian_refuge_for_aristocratic_families,_or_in_ordinary_Christian_terms._Like_most_French_eighteenth-century_painters,_he_could_not_evolve_a_satisfactory_idiom_for_religious_pictures_of_any_kind;_and_he_was_particularly_unsuited_to_the_task_by_the_nature_of_his_real_abilities._The_picture_shows_one_of_his_rare_paintings_of_religious_subject
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Diana Resting after her Bath Måleriet identifieringen:: 62419
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Diana Resting after her Bath 1742 Oil on canvas Mus?e du Louvre, Paris Author: BOUCHER, Fran?ois Title: Diana Resting after her Bath (detail) , 1701-1750 , French Form: painting , mythological 1742_Oil_on_canvas_Mus?e_du_Louvre,_Paris_Author:_BOUCHER,_Fran?ois_Title:_Diana_Resting_after_her_Bath_(detail)_,_1701-1750_,_French_Form:_painting_,_mythological
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The Milliner Måleriet identifieringen:: 62421
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The Milliner 1746 Oil on canvas, 64 x 53 cm Nationalmuseum, Stockholm The painting, commissioned by Count Tessin, the ambassador of Switzerland, is part of a series of four representing morning, noon, afternoon and night, respectively. Author: BOUCHER, Fran?ois Title: The Milliner (The Morning) , 1701-1750 , French Form: painting , genre 1746_Oil_on_canvas,_64_x_53_cm_Nationalmuseum,_Stockholm_The_painting,_commissioned_by_Count_Tessin,_the_ambassador_of_Switzerland,_is_part_of_a_series_of_four_representing_morning,_noon,_afternoon_and_night,_respectively._Author:_BOUCHER,_Fran?ois_Title:_The_Milliner_(The_Morning)_,_1701-1750_,_French_Form:_painting_,_genre
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| Föregående Konstnär Nästa Konstnär
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Francois Boucher
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French Rococo Era Painter, 1703-1770 |
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